Sundance 2023 DISPATCH: Short Films
by Gary M. Kramer
Short films often depict a moment of crisis, a slice of life, or serve as calling cards for a larger feature.
by Gary M. Kramer
Short films often depict a moment of crisis, a slice of life, or serve as calling cards for a larger feature.
by Gary M. Kramer
Six films that had their world premiere at the Sundance Film Festival this year took viewers on journeys both intimate and universal.
by Gary M. Kramer, Staff Writer
What I enjoy most about attending the Sundance film festival is seeing films that are seeking distribution, because one can make the most exciting discoveries.
by Gary M. Kramer, Staff Writer
With Plane, cynics might think that Butler is making yet another third-tier movie to keep his flailing film career aloft. But don’t discount this exciting thriller…
by Gary M. Kramer, Staff Writer
Movies have long portrayed sex workers as characters who range from “disposable” victims to “hookers with hearts of gold.” But what messages are films like Pretty Baby (1978) and Pretty Woman (1990) providing viewers about “the oldest profession?
by Gary M. Kramer, Staff Writer
Amigo is a captivating film about a man who may be holding his friend captive.
by Gary M. Kramer, Staff Writer
Dash is writer/director (and producer, editor, cinematographer, and actor) Sean Perry’s contrived single-take film—shot entirely from the dashboard—of a ride share car
by Gary M. Kramer, Staff Writer
Leone makes a strong impression in the romantic drama, River of Desire, debuting at the Tallinn Film Festival this week.
by Gary M. Kramer
Director/cowriter Philippe Le Guay keeps The Man in the Basement tense and engaging. Le Guay spoke with MovieJawn about his nifty and timely film.
by Gary M. Kramer, Staff Writer
The Pay Day is a charming, low-key, comic crime thriller co-written by and co-starring Sam Benjamin. The actor, who made a strong impression in I am Vengeance: Retaliation.
by Gary M. Kramer
Live Action Shorts Program 1, screening at the Philadelphia Film Festival, is a mix of narrative and documentary shorts, and a mixed bag.
by Gary M. Kramer, Staff Writer
Despite the price put on natural diamonds, synthetics and “mixes” have been penetrating the market, which could make that precious diamond, well, not so precious.
by Gary M. Kramer, Staff Writer
The gentle, observational documentary All That Breathes immerses viewers in Delhi, India, where two brothers, Nadeem and Saud, care for Black Kites—small birds that act like vultures—in their basement.
by Gary M. Kramer, Staff Writer
A very early scene in Taurus features an upside-down shot that rotates. It is a visual metaphor for Cole, a rapper whose life feels upside-down to him.
by Gary M. Kramer, Staff Writer
Argentina, 1985, which has been selected to represent the country in the Best International Film category at the Academy Awards, is a galvanizing courtroom drama that depicts the most important trial in the country’s history.
by Gary M. Kramer, Staff Writer
The pleasure of a seeing a film about a conman is watching others fall for his obvious lies.
by Ryan Silberstein, Gary M. Kramer, and A. Freedman
Today officially kicks off the 31st Philadelphia Film Festival! We at MovieJawn couldn’t be more excited to once again attend our home town fest.
by Gary M. Kramer, Staff Writer
Want to play a game? The family in Dangerous Game: The Legacy Murders is forced into playing an immersive murder mystery where there can only be one winner.
by Gary M. Kramer
Mountaineering films, including the documentaries, guarantee spectacular scenery and breathtaking moments—especially as the characters reach higher and higher altitudes.
by Gary M. Kramer, Staff Writer
Don’t Look at the Demon may have a low budget feel to it, but the special effects are well rendered, and the film is effective as it builds to its noisy, busy conclusion.