LITTLE BITES is a personal take on the insecurities and fears of parenthood
by Vannah Taylor, Staff Writer
Whether it is in theaters or on Shudder later this year, check out Little Bites.
by Vannah Taylor, Staff Writer
Whether it is in theaters or on Shudder later this year, check out Little Bites.
by Rosalie Kicks, Old Sport and Editor in Chief
The concept of Dracula having a canine companion thrilled me and I could not resist imagining that this scenario could also be my reality.
by Vannah Taylor, Staff Writer
As everyone gears up for movie nights, pumpkin carving, and costume parties, be sure to let Night of the Harvest accompany you in your Halloween festivities.
by Megan Bailey, Staff Writer
The emotional core of The Outrun is incredibly strong, and Ronan holds that center very well.
by Vannah Taylor, Staff Writer
Eastwood and Culpo have great chemistry as a special kind of deranged “Real Housewives” that I would watch any day.
by Tori Potenza, Staff Writer
When you like these characters or feel something to relate with, it makes the terror that they are walking towards that much terrifying.
by Tori Potenza, Staff Writer
While many similar films take more of a methodical slow burn pace, director E.L. Katz and writer Simon Barrett take folk horror and turn it into a non stop thrill ride.
by Jill Vranken, Staff Writer
The Deserving manages to be a short, sharp shock of a horror film, and one that I highly recommend you seek out and give a chance.
by Christine Freije, Staff Writer
Another Happy Day proves over and over that familial love is not as simple as it seems: aunts can be cruel, husbands can be controlling, and mothers can be absent.
by Allie Lembo, Staff Writer
Sometimes people find a reason to stay in a relationship that’s gone so sour it’s sweet for the flies.
by Tessa Swehla, Associate Editor
It’s a difficult line for many children’s films to walk—entertaining both children and adults—but The Wild Robot walks it well, most likely due to the fact that its middle grade source material allows it to be more nuanced than your average children’s film.
by Ryan Silberstein, Managing Editor, Red Herring
Megalopolis deserves to be considered in conversation with The Godfather and Apocalypse Now not just as explorations of the American Empire, but as proof to the power of cinema to convey the nuance and complexity that shapes the human experience itself.
by Rosalie Kicks, Old Sport & Editor in Chief
Despite the lack of a theatrical release, I am so happy that others will get to experience another first-rate picture from Natalie Erika James.
by Katharine Mussellam, Staff Writer
The core father-daughter relationship still makes this a respectable first feature from Hacker for audiences to savour as we experience the last of summer weather as autumn begins.
by Jill Vranken, Staff Writer
While the set-up of Inherit the Witch is an intriguing one, the execution of that set-up falls frustratingly short.
by Kate Beach, Staff Writer
Beezel spans six decades in the same house, and multiple generations of the same family, along with the outsiders they invite in.
by Rosalie Kicks, Old Sport and Editor in Chief
There may have been a good story somewhere within the hour and forty-five minute runtime of Beetlejuice Beetlejuice unfortunately, the lack of focus made it hard to pinpoint.
by Tori Potenza, Staff Writer
Writer/director Coralie Fargeat creates a fascinating world in The Substance. It is beautiful, mean, gross, and bloody.
by Kevin Murphy, Staff Writer
The Featherweight a smaller work that delivers emotionally thanks to strong performances and the choice to focus not on the rise and fall of a young champion but the comeback of someone well past his prime.
by Anne Johnson, Staff Writer
Happy Clothes is a celebration of style as art, with Patricia Field as its cool, confident center.