by Daniel Santelli, Staff Writer
The power of Under The Skin is mined from the power of the image and its tireless efforts to reify and mirror Isserley’s perspective through technique.
by Dan Santelli, Staff Writer
Dan Santelli shares with us his favorite ‘new to him’ watches of 2022!
by Dan Santelli, Staff Writer
Dan Santelli shares with us his favorite ‘new to him’ watches of 2022!
by Dan Santelli, Staff Writer
Welcome to MovieJawn’s first ever Sound & Vision Poll, where our writers share why they love their 10 favorite movies of all time!
by Dan Santelli, Staff Writer and Social Media Coordinator
Neither his most accessible work nor his most austere, Vive L’Amour marks a transitional step in the development of Tsai’s career.
by Daniel Santelli, Staff Writer
Dan presents Part 2 of his Best Discoveries of 2021 roundup.
by Daniel Santelli, Staff Writer
Movies are a lot of things. Entertainment. Art. Enlightening. Enigmatic. Airy. Demanding. The best of them can affect us deeply, in all sorts of ways. Intellectual. Visceral. Sensual.
by Daniel Santelli, Staff Writer
Part sci-fi fairy-tale, part psychological hall of mirrors, Steven Spielberg’s A.I. Artificial Intelligence marches toward its twentieth year looking better than ever and ripe for reevaluation.
by Dan Santelli, Staff Wrtier
Cheerfully derisive and unnervingly prescient, Josie and the Pussycats fashions a spangled fusion of madcap Saturday-morning camp and creeping dystopian paranoia that draws smiles, guffaws, and even a bit of blood.
by Dan Santelli, Staff Writer
Art and life fold back on themselves in Center Stage, Hong Kong filmmaker Stanley Kwan’s unorthodox and beguiling 1991 biopic of Ruan Lingyu, the beloved star of the 30s Chinese film industry
by Dan Santelli, Staff Writer and Social Media Coordinator
Naomi Kawase is a filmmaker of aching sincerity, an attribute that can work for her and against her.
by Benjamin Leonard, Best Boy
A couple weeks before the end of the year (and what a year it’s been), I asked everybody to list their top five movies that they’d seen so far. This is always a tough chore because people are trying to cram in the films they’d heard about but missed throughout the year and then there’s the Christmas Day releases that only a few people have seen by that point. This means that people will always look back at their list in a year or two and find things that they wish they would've included, but just hadn’t seen yet. I feel like this year has exacerbated that situation because everyone has had to settle into finding films through different avenues.
Here, I’ve compiled everyone’s rankings and responses to give the MovieJawn Top Ten for 2020.
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