"No more blue tomorrows" – MovieJawn remembers David Lynch
As a way of tribute, we at MovieJawn offer our own creativity as a memorial to this beautiful dreamer.
Read MoreSKIN DEEP ignores the complications and implications of its own body swap premise
by M. Lopes da Silva, Staff Writer
Skin Deep takes a potentially interesting metaphor about transition, then muddles it with recessive, ableist views of “broken bodies” and sexual assault that it’s unwilling to fully engage with.
A fear of pegging: WHITE RIVER and bisexual anxiety
by M. Lopes da Silva, Staff Writer
I’m not exactly sure who this film was made for. I’ve watched the film and I’m still not entirely certain
A HOLIDAY I DO offers a morsel of queerness in a familiar packaging
by M. Lopes da Silva, Staff Writer
A Holiday I Do is the tamest of new holiday traditions, not eggnog but a hint of eggnog aromatherapy candle lingering in the living room.
Cursed to be Queer: Mark Pirro’s CURSE OF THE QUEERWOLF and MY MOM'S A WEREWOLF
by M. Lopes da Silva, Staff Writer
The films broadcast bigotry but do not examine what they broadcast, using the comedy genre’s relentless energy and forward momentum to protect their intolerance from interrogation like a politician rapidly mumbling nonsense at a press conference.
SHAKY SHIVERS offers shaky filmmaking, but few shivers
by M. Lopes da Silva, Staff Writer
Despite the promise of zany fun this movie suffers from pacing issues and generally feel dull.
WE KILL FOR LOVE illuminates direct-to-video erotic thrillers, but is a bit outdated
by M. Lopes da Silva, Staff Writer
This documentary shines as an informative font about the early history of erotic thrillers.
MUTT portrays queer life in survival mode
by M. Lopes da Silva, Staff Writer
Mutt swirls the ugliness of our world together with brief moments of sweetness.