by Joe Carlough, Staff Writer
Ultimately, The Exorcist: Believer felt like a money grab focused on the 50th anniversary of one of the greatest horror movies ever made.
by Billy Russell, Staff Writer
In an odd way, Halloween Ends felt like the closest in spirit to the original that we’ve gotten since the original film was released.
by “Doc” Hunter Bush, Podcast Czar
Whew! We did it! We made it another year! No, sorry, not to the end of the calendar, but to the best time of year.
by A. Freedman, Staff Writer
We all know what number one of the whole series is. But where do the others stack up?
by Hunter Bush, Staff Writer
Welcome to the August installment of Everything Old Is New Again, my monthly column covering upcoming movies and series that are inspired by some older property.
Directed and co-written by David Gordon Green
Starring Jamie Lee Curtis, Judy Greer and Andi Matichak
Running time : 1 hour 46 minutes
MPAA rating: R for horror violence and bloody images, language, brief drug use and nudity
by Hunter Bush
Is it weird to tell you I got emotional during Halloween 2018? Well I did. My eyes welled up during the finale, watching the culmination of a 40-year battle with evil reach its close. Seeing how the story of Laurie Strode and Michael Myers finally ends...for now. Because, let's be real: this won't be the last Halloween movie. By hook or by crook, there will be more but that knowledge shouldn't diminish your enjoyment of any of them.
Read Moreby Pat O'Donnell
David Gordon Green will be releasing his twelfth film in September, a drama about a survivor of the Boston Marathon bombing called Stronger. From the trailer, it looks like it is going to be an emotional, human story that will leave me weeping. This is both a surprise and not for Green. Throughout his career, he has tackled dramas, thrillers, broad comedies, and touching character pieces. And Green has been nothing if not inconsistent. Today, we love simple filmmakers. Directors should either be arty auteurs or studio shills, with little room to move between. What David Gordon Green presents us with does not fit into any dichotomy, and that is why I am fascinated by how strange and aggravating his journey as a filmmaker has been.
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