by Rosalie Kicks, Old Sport & Editor in Chief
Heretic does not waste any time putting the viewer on the edge of their seat. From the moment The Sisters enter Reed’s home, the air turns tense and the psychological game begins.
by Megan Bailey, Staff Writer
Bird is described as a “fable about marginalized life in the fringes of contemporary society.” The word “fable” fits perfectly, as Bird feels both naturalistic and magical.
Read Moreby Kate Beach, Staff Writer
Erin Lee Carr’s fascinating new documentary Fanatical: The Catfishing of Tegan and Sara comes at a time when fandom and obsession are constantly being discussed, and the word ‘parasocial’ gets tossed around like it’s the new ‘problematic.’
by Billie Anderson, Staff Writer
Ultimately, Saturday Night plays like a historical drama for those who find traditional war films dull.
by Billie Anderson, Staff Writer
We Live in Time transcends the typical “cancer film” label; it’s a beautifully crafted love story, brought to life by the chemistry and charisma of its lead actors.
by Billie Anderson, Staff Writer
Two of my favorite films from TIFF this year from two of my favorite directors had very different approaches to representing life, death, and grief on screen.
by Rosalie Kicks, Old Sport & Editor in Chief
Even though PFF will mark my third major festival of the season, there are still plenty of 2024 flick offerings that have not graced by eyeballs.
by Rosalie Kicks, Old Sport & Editor in Chief
With the carnival atmosphere Fantastic Fest promises to be a showstopping extravaganza!
by Billie Anderson, Staff Writer
Another September, another Toronto International Film Festival. This year feels particularly special, like there’s something in the pre-festival air.
by Rosalie Kicks, Old Sport & Editor in Chief
The Toronto International Film Festival kicks off September 5 until September 15 and I am practically jumping out of my skin in excitement for this year’s lineup.
by Billie Anderson, Staff Writer
Highlights from this year’s Toronto International Film Festival, including a few big anticipated releases (including the 2023 People’s Choice and gay cowboys Ethan Hawke and Pedro Pascal) as well as some smaller scale, no-buzz films.
by Gary M. Kramer, Staff Writer
The Toronto International Film Festival (TIFF) is like the Fall Fashion Preview for cinema. And with hundreds of movies unspooling over ten days, what to see can be overwhelming.
by Ashley Jane Davis, Staff Writer
Three more reviews from this year’s Toronto Film Festival.
by Ashley Jane Davis, Staff writer
Some more reviews from TIFF 2021!
by Gary M. Kramer, Staff Writer
Medusa is certainly stylish, and the young performers sink into the film’s cool, modulated rhythms, but overall of the film lacks sufficient energy and emotion to make it worthwhile.
by Gary M. Kramer, Staff Writer
Drunken Birds, which just had its World Premiere at the Toronto International Film Festival, lures viewers in with its hypnotic imagery, then it pulls them along with its absorbing story.
by Gary M. Kramer, Staff Writer
Gian Cassini’s captivating debut feature documentary, Comala, tells a micro story about his family to reveal a macro story on the Mexican drug wars.
by Gary M. Kramer, Staff Writer
Kicking Blood is oddly both toothless and bloodless.
by Gary M. Kramer, Staff Writer
The sensorial drama, To Kill the Beast, the impressive feature directorial debut of Argentine filmmaker Agustina San Martín, exacts a hypnotic pull over viewers.
by Gary M. Kramer, Staff Writer
The Odd-Job Men bills itself as a comedy, but director co-writer Neus Ballús’s film is really more like a frustration comedy.