AMERICAN MURDERER lacks charm as a con thriller
by Gary M. Kramer, Staff Writer
The pleasure of a seeing a film about a conman is watching others fall for his obvious lies.
by Gary M. Kramer, Staff Writer
The pleasure of a seeing a film about a conman is watching others fall for his obvious lies.
by Ryan Silberstein, Gary M. Kramer, and A. Freedman
Today officially kicks off the 31st Philadelphia Film Festival! We at MovieJawn couldn’t be more excited to once again attend our home town fest.
by Gary M. Kramer, Staff Writer
Want to play a game? The family in Dangerous Game: The Legacy Murders is forced into playing an immersive murder mystery where there can only be one winner.
by Gary M. Kramer
Mountaineering films, including the documentaries, guarantee spectacular scenery and breathtaking moments—especially as the characters reach higher and higher altitudes.
by Gary M. Kramer, Staff Writer
Don’t Look at the Demon may have a low budget feel to it, but the special effects are well rendered, and the film is effective as it builds to its noisy, busy conclusion.
by Gary M. Kramer, Staff Writer
As the Toronto International Film Festival comes to its close, here are a few more reviews of films that received their world premieres at the fest.
by Gary M. Kramer, Staff Writer
The Toronto International Film Festival continues with more interesting selections from around the world. Here are six more highlights.
by Gary M. Kramer, Staff Writer
A look at 6 movies showing at this year’s Toronto International Film Festival.
by Gary M. Kramer, Staff Writer
American audiences may not know the history of Jan Žižka, the undefeated—whoops, that’s a spoiler!—15th century Czech general who is the subject of Medieval.
by Gary M. Kramer, Staff Writer
The Toronto International Film Festival (TIFF) is like the Fall Fashion Preview for cinema. And with hundreds of movies unspooling over ten days, what to see can be overwhelming.
by Gary M. Kramer, Staff Writer
“Freely adapted” from the work of Clarice Lispector, the Brazilian import, The Book of Delights, is a curious—as in questioning, as in offbeat—erotic drama that considers weighty themes about love, solitude, and freedom.
by Gary M. Kramer, Staff Writer
Orphan: First Kill is best when it is clever like its protagonist, and most enjoyable when viewed through the lens of a dark comedy.
by Gary M. Kramer, Staff Writer
Braga’s star-making performance is the main reason to see the film (and for its popularity).
by Gary M. Kramer, Staff Writer
The genial Aussie comedy, How to Please a Woman, proves that women know best when it comes to women achieving sexual satisfaction.
by Gary M. Kramer, Staff Writer
“I don’t have a career, I have a life.”
by Gary M. Kramer
Code Name Banshee is a slick, simplistic action thriller about an assassin for hire.
by Gary M. Kramer, Staff Writer
The Good Neighbor follows all the expected paths this contrived setup suggests.
by Gary M. Kramer, Staff Writer
The Tribeca Film Festival offers hundreds of documentaries, shorts, and features from around the world. Here’s a rundown of nine films screening at this year’s fest.
by Gary M. Kramer, Staff Writer
The Ravine is a faith-based message movie disguised as a true crime thriller.
by Gary M. Kramer, Staff Writer
The beauty of a slow-burn thriller is that it creates a tremendous sense of dread as viewers wait for something horrible to happen