SHE CAME TO ME is lackluster and offers little sense of romance or insight
by Gary M. Kramer, Staff Writer
Dinklage is always enjoyable to watch, especially when he is moping, but this role does not ask much more from him than that.
by Gary M. Kramer, Staff Writer
Dinklage is always enjoyable to watch, especially when he is moping, but this role does not ask much more from him than that.
by Gary M. Kramer, Staff Writer
Call Barber a soft-boiled detective drama, rather than one those hard-boiled noirs it pays homage to.
by Gary M. Kramer, Staff Writer
The Toronto International Film Festival premieres hundreds of features, documentaries, shorts, and series this month.
by Gary M. Kramer, Staff Writer
My favorite Hepburn performance will always be her first leading role: Princess Ann in Roman Holiday.
by Gary M. Kramer, Staff Writer
The trouble with The Good Mother is that it tends to overdo things.
by Gary M. Kramer, Staff Writer
Between Two Worlds is very much about the work, but it is also about the workers.
by Gary M. Kramer, Staff Writer
The HollyShorts Film Festival, August 10-20 in Los Angeles, showcases dozens of short films in various programs. Here is a rundown of a half dozen strong selections from this year’s fest.
by Gary M. Kramer, Staff Writer
Scott Pilgrim likely didn’t connect with audiences because it was a mashup of too many genres. But this is precisely why the film is so great.
by Gary M. Kramer, Staff Writer
Final Cut is a mess, but it charms in its last act which creates a strong sense of community amid all of the chaos, actor tantrums, spilled bodily fluids, and copious fake blood.
by Gary M. Kramer, Staff Writer
Peter Greenaway’s breakout arthouse hit, The Draughtsman’s Contract (1982) is bold film—an intriguing murder mystery, a cheeky satire on English class, and a naughty sex romp—rendered in such a rigorous way that it requires steadfast attention.
by Gary M. Kramer, Staff Writer
The Tribeca Film Festival featured the U.S. or World Premiere of several features and documentaries from around the globe that tackle social issues. While some were better than others, here are four notable films screening in this year’s program.
by Gary M. Kramer, Staff Writer
The Tribeca Film Festival has a dozen animated, documentary, and live-action shorts programs this year, offering something for everyone.
by Gary M. Kramer, Staff Writer
The B-movie Mercy, about an escalating hostage situation that unfolds in a hospital, contains plenty of fights, gun violence, and explosions, but it is hardly edge-of-your-seat stuff.
by Gary M. Kramer, Staff Writer
Veteran Guatemalan actor Juan Pablo Olyslager (Temblores, La Llorona) makes a strong impression in his pivotal role. The actor chatted with MovieJawn about making Cadejo Blanco.
by Gary M. Kramer, Staff Writer
Each month, MovieJawn will be highlighting the work of one star or director, focusing on what makes them unique in the Hollywood (or worldwide) firmament! First up is Jack Nicholson for his birthday month!
by Gary M. Kramer, Staff Writer
Smoking Causing Coughing is the latest bit of whimsy by writer/director Quentin Dupieux. His films, Rubber, Wrong, Keep an Eye Out, Deerskin, and Mandibles, among them, are delightfully absurdist and deadpan.
by Gary M. Kramer, Staff Writer
Here is a rundown of what should win, what will win, and the also-rans in the Best Live Action, Animated, and Documentary Short Film categories.
by Gary M. Kramer, Staff Writer
War is hell, and so is Ambush, an efficient yet unremarkable action film set in 1966 Vietnam.
by Gary M. Kramer, Staff Writer
Like the original film, Stars Fell Again is aggressively wholesome, which would be admirable if the film wasn’t so bland.
by Gary M. Kramer, Staff Writer
This lackluster B-movie telegraphs its mediocrity from the opening moments