by Samantha McLaren, Staff Writer
Director Jeff Celentano’s Blackwater Lane crams enough tricks in to try and fill the film’s runtime, but the end package still feels empty.
by Samantha McLaren, Staff Writer
The Curse of the Werewolf—Hammer’s only werewolf movie—would prove a very different beast to The Wolf Man.
by Samantha McLaren, Staff Writer
According to Letterboxd, I’ve watched 263 films so far this year. Of those, 211 are horror movies, many of them new releases. And why not?
by Samantha McLaren, Staff Writer
It’s been 25 years since a British Y2K project brought a new ending to the beloved comedy series Blackadder.
by Samantha McLaren, Staff Writer
Imagine being so British that you bumble your way into a folk horror film because you’re too awkwardly polite to heed all the red flags along the way.
by Samantha McLaren, Staff Writer
For all the tinsel and talk of good cheer, the holidays are often fraught with tension—doubly so if you’re a queer person whose family has never quite accepted you for who you are.
by Samantha McLaren, Staff Writer
If you’re looking for a good old-fashioned werewolf movie with a festive feel, you might want to ask Father Christmas for a copy of The Beast of Walton St., releasing just in time for the holiday season.
by Samantha McLaren, Staff Writer
By layering conspiracies behind conspiracies, Erickson’s film gradually reveals an otherworldly plot disguised by human atrocities and deception.
by Samantha McLaren, Staff Writer
There’s something a little bit special about films willing to lean all the way into a fundamentally silly premise. British horror-comedy Members Club is one such film, gyrating its way through 90 minutes of genitals-based plot with a goofy grin on its face
by Samantha McLaren, Staff Writer
Unwelcome shows us that Ireland’s story goes back further than the people who fight over it, and it’s still being written.
by Samantha McLaren, Staff Writer
The film’s title might be reminiscent of a dozen jumpscare-laden knock-offs of The Exorcist (dir. William Friedkin, 1973), but The Exorcism of Saint Patrick is more concerned with letting us get to know Pat and Trick than it is with raising the viewer’s heart rate.